September 10, 2016 § Leave a comment
Shortbread is the classic British, or more properly Scottish, biscuit. With just three ingredients, flour, butter and sugar balanced in the baker’s golden ratio of 3:2:1 it’s sublime in its simplicity, the perfect riposte to an oversized cookie or indeed the overworked esoterically flavoured creations on offer on our TV screens at the moment courtesy of the Great British Bake Off.
Shortbread is relatively straightforward to make at home (though as I have discovered there are several ways to go wrong) but you can buy great shortbread too. One of my favourite commercially produced shortbreads is that made by Dean’s of Huntly. On a visit to Aberdeenshire not so long ago (mainly focused on sampling Speyside whiskies) we found ourselves in the small town of Huntly and took the opportunity to visit the factory showroom and café, learning the story of how Helen Dean started baking and selling shortbread from her family kitchen in the early 1970s. Dean’s shortbread truly is melt-in-the mouth and the list of ingredients for the premium all-butter shortbread is admirably simple.
So if Dean’s sets the benchmark, where does my own shortbread recipe come from?
It’s a combination of various different recipes plus a little trial and error.
In contrast to the brevity of the ingredients list, there are a number of aspects to the method for making and baking of shortbread that warrant a little further discussion or explanation.
I referred above to the baker’s golden ratio of 3:2:1. Where does this come from you may be wondering?
I have 3 unimpeachable sources. The first is my mother-in-law’s handwritten recipe which calls for 6oz flour, 4 oz butter and 2 oz sugar (incidentally this is also what she does to make the best crumble topping); the second is Jane Grigson’s shortbread instructions from her book “English Food” (sorry Scotland!); the third is a classic shortbread recipe attributed to Katharine Robertson from the book “Seasonal Cooking” by Claire MacDonald of MacDonald who runs a famous hotel, Kinloch Lodge on the Isle of Skye.
2) Substituting some of the flour for cornflour, semolina or ground rice
The received wisdom seems to be that you can substitute up to one third of the plain flour with one of the above alternative starches. I have found that shortbread made with just plain flour has an amply crumbly and melt-in-the mouth texture if properly baked so why make things more complicated than they need to be?
3) What sort of butter is best?
I like to use a salted British butter, ideally a farmhouse one as this gives the best flavour to the finished biscuit. I think a little salt in the recipe lifts the flavour and if this is added by way of salted butter there is no danger of over-salting the dough. British butter is generally made from straightforward pasteurised cream and is known as “sweet cream” butter. Butter from the continental mainland e.g. Lurpak or the many French butters available are generally made from cream that has undergone lactic fermentation. This gives butter with a fresh, clean flavour but for shortbread making I prefer the richer taste of a sweet cream butter.
4) What sort of sugar is best?
Some recipes call for icing sugar but as far as I’m concerned, caster sugar is the way to go helping to achieve the desired crumbly texture. I also think that golden caster sugar gives an extra depth of flavour to the finished biscuit.
5) How should the ingredients be combined?
Some recipes suggest rubbing in the butter, flour and sugar whereas others suggest creaming together the butter and sugar and then working in the flour. I’ve tried both methods and find that it makes no difference. I find it easiest to start by creaming the butter and sugar in my Kenwood mixer and I was pleased to see that the legendary Helen Dean started off her family shortbread-making business using a trusty Kenwood mixer (proudly on display at the company’s HQ in Huntly – see photo above) so I feel I’m on solid ground here.
6) To roll or not to roll?
Several recipes suggest rolling out and cutting shortbread dough into shapes. Good luck to you if you can manage it! There is no way I’d attempt to roll out this type of dough as I find it just to hard to work with which is why I press my dough into a tin and cut it into fingers when baked. There are other recipes available for crisp little sablé-type biscuits that contain either egg yolks or whole eggs which are more suitable for rolling-out and cutting into shapes if that’s what you’re looking to make.
7) How long to bake and at what temperature?
Different recipes contain vastly different instructions on this aspect. As far as I’m concerned, relatively low and slow is the way to go which is why I suggest a baking temperature of 150 degrees C fan and 45 minutes’ cooking time. If you like a paler shortbread you might consider dropping the oven temperature by a further 10 degrees – Claire MacDonald’s recipe referred to above calls for a conventional oven temperature of 150 degrees C and a baking time of 1 hour.
Makes enough to fill a standard rectangular Swiss roll tin (mine is 33cm by 23cm by 2cm) which when cut into fingers yields 36 individual biscuits. The ratio of flour to butter to sugar is the simple to remember 3:2:1 so you can readily alter the quantities to suit whatever tin size you have.
250g salted British butter
125g golden caster sugar (plus a little more for sprinkling afterwards)
375g plain white flour
Line the tin using a sheet of baking parchment carefully trimmed to fit. I do this by cutting a sheet of parchment slightly larger than my tin, pressing it into the tin to mark the division between base and sides then carefully snipping the paper at each corner at right angles then folding in the sides origami-style to create a 3D lining. If this sounds too complicated then just line the base of the tin.
Making the shortbread dough is easily done in a stand mixer but works well using a large bowl, wooden spoon and some elbow-grease too.
Cream together the butter and caster sugar thoroughly until the mixture is a little lighter in colour. Add the flour in 3 or 4 stages, mixing until well incorporated. The end result should be a crumbly dough that barely holds together and looks like badly made shortcrust pastry.
Tip the dough into the lined tin and spend a few minutes carefully pressing and distributing the dough evenly in the tin. You can do this using any combination of your knuckles and fingertips, a metal spoon or a small crank-handled palette knife. Prick the dough all over with the tines of a fork. I think this helps the dough to bake through more evenly, it looks attractive and importantly creates tiny pockets in the baked surface allowing the final sprinkling of caster sugar to adhere better to the biscuits.
Place the tin of shortbread dough into the fridge for at least 15 minutes to chill and firm up. It can be left into the fridge for several hours, even overnight if that suits your timetable.
When you are ready to bake, preheat your oven to 150 degrees C fan. Bake the shortbread for about 45 minutes until a light golden colour throughout. Judging the right degree of baking is perhaps the hardest aspect of this recipe and will probably require a degree of trial and error depending on how accurate your oven temperature is. It shouldn’t be too dark a colour – baking long and slow is the way to go. Also, if the shortbread is baked too long it becomes too hard and brittle and will shatter when cut into. If underbaked it will lack flavour and have a claggy rather than melt-in-the-mouth crumbly texture. When it is baked just right it will still be somewhat soft when cut into while still warm but, fear not, it will firm up to the right crumbly texture when cooled.
Once baked, remove from the oven, immediately carefully cut into fingers of the desired size (I cut mine lengthwise into 3 long strips then crosswise into 12 strips to produce 36 fingers) and sprinkle the surface with a little more golden caster sugar. Leave to cool completely in the tin.
January 24, 2011 § 1 Comment
My lovely neighbour Deborah (who is married to a Scot), knowing of my interest in all things macaroon introduced me to the Scottish macaroon a couple of weeks ago. To accompany a cup of coffee she brought out a Lees original macaroon bar. This is more a confectionery item than a cake or biscuit – a very sweet fondant centre coated in chocolate and toasted coconut. Apparently this Scottish delicacy was originally made with a sweetened mashed potato (I kid you not…) centre but as this goes off very quickly it’s now made with vegetable fat and sugar.
As its Burns Night tomorrow, I thought I’d have a go at an authentic homemade version, a sweet something to follow our haggis and neeps.
It wasn’t hard to track down a recipe on the web. I consulted these 3 sources:
All the recipes were pretty similar but the third one has the clearest instructions and good pics as well.
I set to work on my unlikely quest to turn a couple of potatoes into a sort of deconstructed bounty bar.
I started with 125g prepared weight of mashed potato – this is just one and a bit medium potatoes – as I discovered, you don’t need much.
I had planned to weigh and document accurately but these ambitions went out of the door when I ran out of icing sugar part way through the process and had to put the project on hold overnight until I could buy some more.
Into the mashed potato I beat an unbelievable quantity of icing sugar – I would guess 375g, maybe even 500g. You just keep going until the mixture is thick and doughy enough to handle.
A very odd thing happened as I started beating in the sugar – the mixture liquefied and became a translucent wallpaper pasty gloop. Never fear, just keep adding more icing sugar and I promise you, it will come together to form a fondant like substance.
Next, I pressed my mixture into a tray and popped it into the freezer for 20 minutes or so to firm up a little.
Meanwhile I toasted quickly in a hot oven 50g or so of dessicated coconut. Beware, the difference between toasted and burnt coconut is about 45 seconds as I learned to my cost. So I began again with another 50g of dessicated coconut…I then mixed the toasted coconut with about twice the quantity of untoasted to produce a lovely tweedy effect – very appropriate for a Scottish sweet.
Next, i melted 2 whole bars (200g) of Green and Black’s chocolate – a mixture of milk and dark. All dark would have been just too restrained and sophisticated. I wanted the full milky sugary hit to complement the toothrotting supersweet centre.
With the mise en place sorted, it was time to complete the bars. I cut my potato fondant into 7 or 8 fingers. I then picked up a finger and shaped it into a sausage before half dipping, half rolling it in the melted chocolate, thence into the toasted coconut (a bit like egg and breadcrumbing a croquette or escalope). As I dipped and coated I held the bar very lightly, shaping and patting as I went. The completed bar was then placed onto silicone paper and popped into the fridge to set.
Here’s one of the little beauties ready to eat – despite inauspicious beginnings, it actually tasted rather good…