Bosnian breakfast

May 13th, 2012 § Leave a Comment

The latest in our Breakfasts of the World Project series.

Looking at the map of Bosnia and Herzegovina, I was taken aback by how familiar the names some of the larger towns were – Banja Luka once known for its tree-lined boulevards, Mostar similarly for its iconic bridge and the cultured and elegant capital city of Sarajevo. An unfortunate legacy of the Bosnian war of the 1990s is that all these cities are now best known for the war atrocities committed there.

April 2012 was the 20th anniversary of the start of the Siege of Sarajevo which lasted from 1992 until almost 4 years later, 29 February 1996, the longest siege of a capital city in modern warfare. This added a certain resonance to our breakfast.

On the menu was the ultimate Bosnian street food, burek, written about most engagingly here http://horinca.blogspot.co.uk/2009/06/burek-bosnias-gift-to-breakfast.html

Burek, a savoury filling encased in paper thin pastry is known across Eastern Europe and around the Mediterranean under various names – börek, bourek, böregi, bouréki, a legacy of the Ottoman empire. The Turks occupied Bosnia for more than 400 years (1463-1878) and their legacy remains many ways including their food.

Emigré Bosnians yearn for a dollop of kajmak a Balkan version of clotted cream cheese to serve alongside their burek. If you fancy having a go, the instructions here http://saltandfat.com/post/9168043369/kajmak look admirably detailed. We cheated and ate our burek with a spoonful of thick plain yoghurt instead.

I give the full burek recipe below though I chose not to make my own filo/strudel pastry on this occasion.

Preparing the meat filling is a simple job if you use a food processor. It comprises minced beef, onion, a liberal quantity of paprika and beaten egg to hold it all together.

Making the burek is a little bit like creating an enormous sausage roll:

The next step is coiling up the roll ready to bake:

One baked the burek are best cooled on a rack to avoid a soggy bottom:

Finally the burek is sliced and ready to eat.

Recipe for Bosanski burek

Adapted from this recipe http://www.whats4eats.com/meats/bosanski-burek-recipe

I chose not to make my own filo/strudel pastry as the original recipe suggests. Instead I bought a pack of ready made filo. Jus-rol brand is readily available in UK shops and a pack of pastry contains 6 sheets and weighs 270g.

The recipe makes 3 medium sized burek rolls like the ones in my pictures above.

Ingredients

6 sheets filo pastry, 2 per burek, fully defrosted if using frozen pastry
approx. 50g melted butter

For the filling

600g lean minced beef
2 medium onions, chopped
1 large egg, beaten
1 and 1/2 tablespoons paprika (mild)
salt and pepper

Begin by making the simple filling. Put all the filling ingredients into the bowl of a food processor and pulse until combined and the mixture is very finely chopped but not reduced to a mulch with no texture. If you prefer not to use a food processor, make sure the onions are very finely chopped or even grated and mix all the ingredients together thoroughly in a large bowl using a wooden spoon or your hands. Set the prepared filling aside.

Next, get everything ready to shape and bake the bureks. Make sure your melted butter has cooled a little and that you have a pastry brush to hand. Lay out your pastry and workboard and have either a clean damp teatowel or some clingfilm to hand to cover the filo you’re not working with. Line three baking sheets with baking parchment, one for each burek. Finally, preheat your oven to 170 degrees C (fan). You need to be organised before you begin as the filos sheets are so thin that they dry out very quickly and crack and become difficult to roll up unless you keep them covered.

Spread one filo sheet onto your pastry board, long side facing you ie landscape rather than portrait orientation. Brush it liberally with melted butter. Lay a second sheet the same way partly overlapping first one by about one third. Brush this one with melted butter too.

Take one third of the filling and, leaving a 7cm border at the top and a 3cm border at each end, spread it out in a long rough sausage shape. Fold over the top border and continue rolling up into a long sausage roll shape. Pinch the ends to seal, brush the roll with melted butter and coil it into a rough spiral. Lift gently and place on the prepared baking sheet.

Complete the other two bureks in the same way.

Bake in the preheated oven for 35 to 45 minutes until golden brown and cooked through.

My top 5 Parisian pâtisserie trends

May 6th, 2012 § Leave a Comment

During April’s trip to Paris to brush up my pâtisserie skills at Lenôtre’s École des Amateurs, I took the opportunity to wander the streets, gaze into the shop windows, read the magazines and do a little tasting. I’ve distilled this into my take on the latest pâtisserie trends.

Trend 1: Choux puffs

Move over macarons, choux puffs are set to be the latest small cake trend, or so young entrepreneur Lauren Koumetz hopes. She set up her boutique bakery named Popelini in the Marais district last year. Cannily, the tiny patisserie selling just choux puffs is just across the road from world-famous bakery Poilâne’s newest outlet in the rue Debelleyme (see my previous post). Eagle-eyed viewers will have seen Rachel Khoo popping into the shop in Episode 2 of her recent BBC 2 series “Little Paris Kitchen”.

The concept is simple – take a choux pastry puff, fill it with flavoured crème pâtissière and top it with a disc of prettily coloured fondant icing. The appearance of these choux puffs and their flavour combinations clearly owes a lot to the macaron trend, and indeed the pastry chef at Popelini, Alice Barday, is ex- Ladurée.

There are 9 classic flavours in the current range – these include dark chocolate, lemon, salted caramel, pistachio/griottine (more on this one later) – plus an ever changing ‘flavour of the day’.

Trend 2: Pistachios

The love affair with the pistachio nut goes on and on. It must have something to do with their intriguing green colour as well as their delicate flavour. In the on-trend pâtisseries, every classic tart or entremet traditionally prepared with ground almonds has been reinvented with pistachios. The pairing of griottine cherries (morello cherries preserved in kirsch) with pistachios, whether in the filling for a choux puff (see above) or in a frangipane tart is increasingly popular.

There’s even a shop, La Pistacherie, which opened in mid 2011, devoted to the pistachio nut in all its forms on the Rue Rambuteau just around the corner from Beaubourg, the Pompidou Centre:

Trend 3: citrus

Forget familiar lemon and orange, now it’s got to be mandarin, grapefruit (ideally delicate pink grapefruit), or more exotically still bergamot or the Japanese favourite yuzu. The Japanese are avid buyers of French pâtisserie – just look at the big names that have opened up branches in Tokyo – and are in turn bringing their influence to bear – the green tea powder matcha is found flavouring all sorts of cakes and biscuits now. The tart, aromatic yuzu described in flavour terms as being similar to the grapefruit and mandarin is very popular in Japan but sadly well nigh impossible to get hold of in the UK. I have seen prepacked juice available for sale in specialist Japanese stores so maybe the fresh fruit is on its way.

Not strictly citrus, but the herb lemon-thyme is popping up all over the place whether perking up emigré pâtissier Eric Lanlard’s lemon cake or adorning a Pain de Sucre (see below) fig tart.

Trend 4: all things American

Parisians have fallen in love with brownies (charmingly pronounced as ‘brew-neez’), luscious cheesecake and simple-to-make pound cakes and muffins and have made them their own. You’ll find them everywhere now – peeking out of chi-chi pâtisserie windows and on sale to grab and go as you pass through the Gare du Nord or wherever. On-trend boulangerie-pâtisserie Huré on the rue Rambuteau has an enticing display of American-inpsired loaf cakes in the window with flavours such as white chocolate and cranberry and pecan to the fore.

Trend 5: Classics reinvented

A step further down the rue Rambuteau and you’ll find Pain de Sucre (‘sugarloaf’), one of Paris’ hottest establishments, regularly featuring on top 10 lists of Paris’ best pâtisseries. Renowned for its flavoured breads, oversized jars of pastel-coloured marshmallows, reinvented classics abound here. Its rum baba, renamed ‘Le Baobab’ is sold complete with miniature pharmacist’s dropper of rum to allow for dosing of alcohol just the way you want it.

It’s not just in Pain de Sucre that you’ll find classics reinvented. The space age showroom featured in several episodes of the BBC 2 programme “Little Paris Kitchen” is Philippe Conticini’s “Pâtisserie des Rêves” (Pâtisserie of Dreams). Rachel Khoo, the chef within the Little Paris Kitchen is shown admiring a reinvented chocolate éclair, a sculpted beauty almost unrecognisable as an éclair displayed like an artwork beneath its own glass dome. You can find pictures of it plus detailed tasting notes here.

Places like this lead the way, but everywhere you’ll find classic large cakes like the gâteaux Opéra or St Honoré reinvented either as small individual with sophisticated pared-down decoration. The mini Opéras will sport a lacquered chocolate glaze, as dark and shiny as a Steinway grand piano, ornamented only by a shred of pure gold leaf. Alternatively, classic cakes can be miniaturised and given a new flavour twist like Ladurée’s billowy pink raspberry and rose miniature St Honoré. You can see this here. My last two links are to US citizen Adam’s beautifully obsessive blog http://www.parispatisseries.com/ dedicated, as the name suggests to all things sweet in Paris – you couldn’t find a better starting point if you were planning a food-based trip to the French capital.

As the French are voting for a new president today, I’m going to sign off with a French joke. I suspect it may be the last we hear of Sarko for some time:

Q: What is Nicolas Sarkozy’s favourite cake?

A: Brownie (pronounced like ‘Bruni’ in French!)

Contact details

Popelini
http://www.popelini.com/
29, rue Debelleyme
Paris 75003

Tel +33 (0)1 44 61 31 44

Opening hours – check website but currently Tuesday to Saturday 11.00 to 19.30; Sunday 10.00 to 15.00

La Pistacherie (website still under construction at time of writing)
67, rue Rambuteau
Paris 75004

Tel +33 (0)1 42 78 84 55

Opening hours “every day of the week”

Huré
18, rue Rambuteau
Paris 75003

Tel +33 (0)1 42 72 32 18

Pain de Sucre
http://www.patisseriepaindesucre.com/

Rue Rambuteau
Paris 75003

Tel +33 (0)1 45 74 68 92

Opening hours: 10.00 – 20.00 closed Tuesday and Wednesday

La Pâtisserie des Rêves
http://www.lapatisseriedesreves.com/

93 rue du Bac
Paris 75007

Tel +33 (0)1 42 84 00 82

Opening hours: Tuesday to Saturday 9.00 – 20.00; Sunday 9.00 – 16.00

111 rue de Longchamp
Paris 750016

Tel +33 (0)1 47 04 00 24

Opening hours: Tuesday to Friday 10.00 – 20.00; Saturday and Sunday 9.00 – 20.00

Pain Poilâne: the best bargain in Paris?

April 22nd, 2012 § Leave a Comment

The little box of Pierre Hermé macarons I wrote about in my last post set me back 25 Euros. For a third of the price, you can buy yourself beautiful, round, whole loaf of arguably the finest bread in the world weighing in at a shade under two kilos.

Here are the loaves on display at Poilâne’s newest store (opened in July 2011) on the rue Debelleyme in the Marais. The staff are charming and friendly and, unlike the Pierre Hermé shop, were happy for me to take photos. You’ll see that the word for what we might call a cob is not a mere “boule” but a “miche” literally a generously rounded buttock! I love that idea.

It was such a treat to carry out the whole loaf, still faintly warm from the legendary wood-fired oven, lovingly wrapped, and less lovingly stuffed into my rucksack for the journey back to Manchester. It survived the journey intact:

and was soon sliced up ready for sampling:

What makes the bread so special? It has the dark, crackly crust typical of a wood-fired oven bake. The crumb is not white but a deep cream colour attributable both to its wholegrain content and its long fermentation. The texture of the crumb is dense but not heavy. It’s chewy, just a touch sour, flavoursome and slices well. Fresh, it tastes excellent but thanks to its sourdough fermentation it keeps for a week and a few days old it toasts brilliantly.

What’s in it? The Poilâne website tells you that the bread is made from just four ingredients (stoneground flour, sourdough starter, water and Guérande sea salt) but doesn’t go into detail as to what type of flour is used. Lots of people have written lots of things about the flour in a Poilâne loaf. US baker Peter Reinhart in his book “The Breadbaker’s Apprentice” describes the flour as a stoneground 85% extraction wholewheat ie with some of the bran removed. This is not a type of flour readily accessible to homebakers but can be approximated by mixing three parts white flour to one part wholemeal/wholewheat. Other commentators refer to the inclusion of 30% spelt (épeautre in French) flour in the Poilâne mix but I haven’t yet found an unimpeachable source for this claim.

According to the Poilâne website, legend began in the 1932 when Pierre Poilâne from Normandy set up shop in the rue du Cherche Midi in St Germain on Paris’ Left Bank. He made a traditional loaf in the traditional way (best quality ingredients, long fermentation, natural yeasts, baking in a woodfired oven) rather than producing the more popular white flour baguettes. His sons Lionel (and also Max) continued the family baking business. Lionel was the marketing genius – very convenient if you’re going to supply countrywide if you can first convince the world that your bread tastes best not when absolutely fresh but 3 days’ old! – and it is his bread which has gone onto achieve iconic status worldwide. Lionel died in a freak helicopter accident in 2002 leaving his 19 year old daughter Apollonia in charge.

I’ve occasionally wondered how Poilâne bread can appear on English and French supermarket shelves when there are just three tiny traditional outlets in Paris. I’ve visited two of them, sadly not the original rue du Cherche Midi shop yet which I’ll have to save until next time.

Here’s the Boulevard de la Grenelle shop:

and here’s the newest rue Debelleyme shop in the Marais:

The answer to the supply conundrum is that in the 1980s, Lionel built a 24 wood-fired oven “facility” as the website delicately puts it, to supply growing demand. The discreet little cream-coloured tree-screened factory is located in Bièvres in the southwest outskirts of Paris not far from Versailles.

Harvard Business School graduate Apollonia Poilâne seems to have inherited her father’s business sense as well as his passion for good bread and has made a number of discreet innovations. I’m not convinced about the matcha flavoured green teaspoon shaped biscuits but the “Cuisine de Bar” outlets that have appeared adjacent to the bread shops in the rues du Cherche Midi and Debelleyme (also in London now) are an excellent idea. They are essentially cafés based on toast (tartines in French). So next time you’re in Paris looking for a fashionable, wholesome and inexpensive breakfast or light lunch, you know where to go.

After a bit of research

Contact details (Paris)

http://www.poilane.com

38 rue Debelleyme (Marais- “Cuisine de bar” adjacent to shop)
Paris 75003
Tel +33 (0) 1 44 61 83 39
Opening hours :
Tuesday to Sunday 7:15 am to 8:15 pm

49 bld de Grenelle (Eiffel Tower)
Paris 75015
Tel +33 (0) 1 45 79 11 49
Opening hours :
Tuesday to Sunday 7:15 am to 8:15 pm

8 rue du Cherche-Midi (St Germain – “Cuisine de bar” adjacent to shop)
Paris 75006
Tel +33 (0) 1 45 48 42 59
Opening hours :
Monday to Saturday 7:15 am to 8:15 pm

Parisian macaron update

April 17th, 2012 § 2 Comments

Just back from our regular easter trip to Paris and Fontainebleau and this year, Bayeux in Normandy too. The focus of the Paris part of my trip was taking part in a couple of pâtisserie classes at the Lenôtre school on the avenue des Champs Elysées (making chocolate desserts and the legendary Gâteau St Honoré). Whilst there, I took the opportunity to use my carnet of metro tickets and my own two feet to explore the city, visit some iconic bakeries and pâtisseries, and try and work out by observation the newest Parisian pâtisserie trends.

In the first of three Paris posts, I thought I’d begin with an update on the macaron trend. In the UK I think I can say they’re officially mainstream now that our local Marks and Spencer Altrincham branch regularly stocks its Own Brand pack 6 pack. Paris is of course awash with them and whilst there I took the opportunity to try a cutting-edge selection from Pierre Hermé and classic favourites from Ladurée.

First stop was the Pierre Hermé Avenue de l’Opéra shop (which, cashing in on present trends just sells macarons and chocolates, not pâtisserie). One unwanted consequence of the proliferation of food bloggers is that polite requests such as mine to take a quick photo inside the shop are sadly refused. So here is a photo of said shop from a safe distance outside:

Here’s the selection of macarons I bought and subsequently tasted. The turquoise presentation box is just a little lurid perhaps?

whereas the bag in which it was presented with its pale blue panels and cut-out broderie anglaise style leaves is much easier on the eye:

The Pierre Hermé macarons are characterised by their generous (some might say overgenerous?) fillings and bewildering palate of flavours. For the record, this is the latest menu with some of the names as fanciful as the flavour combinations. With the aid of Pierre Hermé’s Macaron book which gives instructions in meticulous detail for constructing his signature combinations, I’ve added a little extra information.

MOGADOR: milk chocolate and passion fruit – yellow shells speckled with cocoa powder; passion fruit milk chocolate ganache
INFINIMENT ROSE: rose & rose petals – pink shells; rose buttercream
INFINIMENT CHOCOLAT PORCELANA: pure chocolate origin Venezuala Porcelana – chocolate shells; Porcelana chocolate ganache
INFINIMENT CARAMEL: salted butter caramel – light brown shells coloured with yellow food colouring and coffee extract; salted butter caramel filling
CARAQUILLO: chocolate, coffee & aniseed – chocolate shells; chocolate ganache flavoured with aniseed
AMERICANO PAMPLEMOUSSE: orange, campari and candied grapefruit – orange shells; white chocolate ganache flavoured with Campari, grapefruit juice and orange juice; cubes of candied spiced grapefruit peel embedded in the ganache filling
CRÈME BRÛlÉE: vanilla and caramel shards
INFINIMENT CASSIS: blackcurrant – purple shells; white chocolate ganache made with blackcurrant and redcurrant juice rather than cream; one or two whole blackcurrants in the centre
ISPAHAN: rose, lychee & raspberry – deep pink shells sprinkled with red coloured sugar or ruby dusting powder; white chocolate ganache mixed with pureed preserved lychees and flavoured with rose extract; square of concentrated fresh raspberry jelly in the centre
INFINIMENT MENTHE FRAÎCHE: mint – blue-green shells; white chocolate ganache flavoured with an infusion of fresh mint leaves and Crème de Menthe
INFINIMENT JASMIN: jasmine flowers and jasmine tea – shells whitened with titanium dioxide with dried jasmine flowers sprinkled on top; jasmine tea white chocolate ganache flavour boosted with jasmine essential oil;
MÉTISSÉ: orange, carrot and Ceylon cinnamon – orange cinnamon shells; carrot, orange & white chocolate ganache
PLÉNITUDE: chocolate and caramel – one chocolate shell; one caramel brown shell (coffee extract and food colouring); milk and dark chocolate ganache mixed with salted butter caramel
PIETRA: caramelised hazelnut and crispy praline
HUILE D’OLIVE À LA MANDARINE: olive oil and mandarin – one olive green shell (green colouring and coffee extract); one orange shell; white chocolate ganache flavoured with vanilla mixed with extra virgin olive oil
MOSAÏC: pistachio, Ceylon cinnamon & griottine – natural shells sprinkled with red sugar or ruby dusting powder; white chocolate ganache flavoured and coloured with cinnamon and pistachio paste; stoned griottine (trade name for morello cherry preserved in kirsch) in the centre
ÉDEN: peach, apricot and saffron – peach coloured shells; white chocolate ganache infused with saffron mixed with purée of fresh white peach and small cubes of soft-dried apricot
INFINIMENT VANILLE: vanilla from Tahiti, Mexico & Madagascar – natural coloured shells flavoured with vanilla seeds; white chocolate ganache flavoured with 3 types of vanilla pod
MÉDÉLICE: lemon and crispy praline hazelnut wafer – yellow shells sprinkled with hazelnut wafer shards; natural colour lemon cream filling
INFINIMENT CITRON: lemon – yellow shells; natural colour lemon cream filling

They sound amazing don’t they? The truth is though that sample one with your eyes closed and you’d be hard pressed to say what the flavour is. There’s a healthy dose of psychological trickery going on here and the apparent flavour is boosted if you a) your macaron is strongly coloured and b) you can read the description of what you’re supposed to be tasting.

That said, the macarons tasted pretty good, even the mint one which was surprisingly subtle and fragrant rather than being filled with a toothpaste-like substance as I joked it might be before tasting it.

I didn’t make it to Hermé’s flagship store which is on the Rue Bonaparte on the left bank. He now has a myriad of shops throughout Paris, like the one I visited on the Avenue de l’Opéra selling just macarons and chocolate. Presumably these are shipped in daily by the dozen rather than being lovingly crafted on the premises. Well, I suppose you have to ride that trend while it lasts…

The original and classic macaroon maker Ladurée is playing the same game. You can load up on macarons in various locations throughout Paris, even at their newest outlet Terminal 2 Charles de Gaulle airport, which is exactly what I did. You can opt for the classic eau-de-nil and gold packaging:

Or the dinky duck-egg blue and shocking pink “Hello Kitty” presentation box aimed fair and square at the Japanese market:

The current Ladurée list of flavours runs as follows:

PERMANENT FLAVOURS

Café – coffee
Caramel – caramel
Cassis Violette – blackcurrant and violet
Chocolat – chocolate
Fleur d’Oranger – orange flower water
Framboise – raspberry
Pistache – pistachio
Réglisse – liquorice (black)
Rose – rose water
Vanille – vanilla
Incroyable Guimauve Amande – incredible almond marshmallow

SEASONAL FLAVOURS

Citron – lemon
Fruits rouges – red fruit
Fleurs de cerisier – cherry blossom
Chocolat pure origine Colombie – Colombian chocolate
Praliné – praline
Marron – chestnut
Pomme Verte – green apple
Chocolat au lait – milk chocolate

Read the small print underneath the box to discover the list of ingredients needed to make this range of flavours:

sugar; almonds; eggs; butter; cream; cocoa; blackcurrants; raspberries; pistachios; chestnuts; coconut; hazelnuts; mint; lemons; morello cherries; whole milk powder; glucose syrup; cornflour; pectin; coffee; rose syrup (sugar syrup, natural red colouring, rose flavour); redcurrant; dark rum; honey; candied fruit (sugar, glucose, citron, ginger, lemon, orange); flavourings: orange flower, citron, lemongrass, chestnut, mint, mimosa, violet (invert sugar, propylene glycol, alcohol); cinnamon; star anise; ginger, gelatine (not porcine); emulsifier: soya lecithin; natural vanilla extract; vanilla; lime; rose essence; salt; sunflower oil; vegetable fat; barley malt extract; emulsifier: glycerides of fatty acids; colours: luteine, carmine, carminique, carantho, chlorophyll, spinach, coal black, brilliant blue fcf, carotinoids, caramel.

Yum!

If you still feel like buying some here’s where to go:

Pierre Hermé Paris addresses

72 rue Bonaparte, 6th arrondissement (flagship store – the full range)
185 rue de Vaugirard, 15th – pâtisserie, macarons, chocolates
just macarons and chocolates:
58 avenue Paul Doumer, 16th
39 avenue de l’Opéra, 2nd
Galeries Lafayette concession, amongst shoes in the basement (!); home on ground floor; and designers on the 1st floor, 40 boulevard Haussmann, 9th
Publicis Drugstore concession, 133 avenue des Champs Elysées, 8th
Printemps Parly II concession, Avenue Charles de Gaulle, Le Chesnay nr Versailles

Ladurée Paris and surrounding area addresses

16-18 rue Royale, 8th arrondissement
21 rue Bonaparte, 6th
75 avenue des Champs Elysées, 8th – AT DATE OF WRITING CLOSED FOR REFURBISHMENT
Orly airport West Terminal
Charles de Gaulle airport Terminal 2
Printemps department store concession, 64 Boulevard Haussmann, 9th
Chateau de Versailles, Versailles

A simple salad for spring

April 12th, 2012 § Leave a Comment

A ate a simple and delicious little salad for lunch last week in Paris, sitting outdoors in the spring sunshine, just off the the Champs Elysées. It was described on the menu as a “Salade Farandole” or merry-go-round salad, presumably because of the wheel shaped arrangement of the leaves.

The ingredients were chicory leaves, orange segments, strips of smoked duck breast, walnuts and a few spinach leaves together with just the right amount of a citrussy dressing.

It was such a good combination – crisp, bitter leaves, sweet orange, salty duck, crunchy walnuts – that I decided to recreate my own version at home. The Parisian version included some wafer thin slices of what might have been wet walnuts, unlikely at this time of year I know. I didn’t get the opportunity to ask the waiter to ask the chef what this mystery ingredient was. Back home, I remembered that I had a jar of inky-black pickled walnuts at the back of the fridge so I fished one out, sliced it as thinly as I could and added this to my salad for an extra flavour and texture.

Smoked duck isn’t that easy to get hold of, but locally the excellent Smokehouse in Wilmslow prepare their own smoked duck breasts and you can buy them ready sliced from Waitrose or Ocado in the “Reflets de France” range. Talking of Ocado, I’ve being going a bit crazy with their new range of Natoora specialist fruit, veg and deli products so I happened to have a bag of Sicilian blood oranges in my fridge which make a visually appealing addition and taste extra sweet:

It made a lovely light lunch and the slightly bitter chicory combined with the orange were a perfect antidote to all that Easter chocolate. I was so pleased with my little salad that I made it again the next day, this time with some red Treviso radicchio I happened to have left over (I’m going through a bit of a bitter leaf phase at the moment) and with pistachios rather than walnuts as that’s all I had left in my cupboard. There’s no need to be too prescriptive about the ingredients as it’s a salad you can make your own. I hope you enjoy it.

Recipe for chicory, orange and smoked duck salad

Serves 2

Ingredients

For the salad

2 medium heads chicory (white, red or a mixture of both)
2 and a half oranges, peeled and cut into pith-free segments
2 pickled walnuts, thinly sliced
handful walnut halves, lightly toasted and roughly chopped
1 smoked duck breast, cut into the thinnest slices you can manage, fat removed if you prefer
handful baby spinach leaves

For the dressing

juice of the remaining half orange
2 tablespoons walnut oil
salt and freshly ground black pepper
few snipped chives, torn mint leaves or other soft green herbs (optional)

Wash and dry the chicory heads. Cut of the base and pick off the larger outer leaves carefully. Arrange in an attractive wheel shape on your serving platter or in individual salad bowls as you prefer. Chop roughly the remaining centre part of the chicory, combine with the spinach leaves and pile in the centre.

Scatter over the salad the orange segments, pickled walnuts, chopped toasted walnuts and strips of smoked duck breast.

Whisk together the dressing ingredients and drizzle over the salad shortly before serving.

Honours even: world marmalade awards 2012

April 9th, 2012 § 2 Comments

Once again, the World Marmalade Awards held at Dalemain in Cumbria brightened up those last days of February just before spring proper arrives. Tim and I had both submitted our marmalades for judging, each using our favourite recipe. Tim favours a straightforward Delia Smith recipe with a firmish set, whereas I’m wedded to an alternative recipe with very fine shreds of peel and a softish set. You can find both of our recipes via the Recipe Index page.

We were delighted to discover that both of us had been awarded 19 marks out of a possible 20 this year. This gained us a silver award each and, more importantly meant marital harmony over the breakfast table was maintained.

So where did we each drop that final elusive mark? In my case the judge remarked that my marmalade was “just rather cloudy” which was true as this picture of my 2012 batch shows:

I don’t know what made my marmalade cloudy this year but the most likely tip I’ve found is to skim off the scum rigorously while boiling and NOT to add a knob of butter to the boiling pan to reduce scumming as this will cause it to be dissolved back into the mixture, thus making it cloudy. So that’s the change I’ll be making next year.

In Tim’s case, the judge quibbled that his peel “needs a little more cooking” something which can be pretty easily put right. I think this may have happened as his oranges were hanging round in the fridge for about a month before he got round to making his marmalade right at the last minute.

Here’s one of the judges giving Tim a few tips to achieve that elusive gold next year:

It’s human nature to dwell on the one point lost but perhaps it’s more constructive to focus on what we did right.

We both used beautiful organic oranges delivered via our Riverford veg box man. This was really top quality fruit which was bursting with zesty flavour. I bought my fruit early and used it straightaway and found the peel was quick to soften (ready in half an hour or so whereas older fruit can need an hour or more to soften) and a set was achieved relatively quickly once sugar was added. I think a shorter cooking time means a fresher, zingier citrus flavour.

I experimented with a sugar thermometer this year and stopped boiling once my marmalade reached 104.5 degrees C in order to achieve the wobbly softer set I was looking for. I think if I’d used the chilled saucer and fingertip wrinkle test alone, I’d have been tempted to boil the mixture for a good 5 minutes or so longer.

I potted while the mixture was still extremely hot, filling the jars to the brim, hoping that the peel would be correctly saturated with sugar and would therefore be suspended in the marmalade in perfect equilibrium. It didn’t work and infuriatingly rose to the top! This was soon put right by making sure the lids were on firmly and gently inverting and rotating the jars once the marmalade had cooled a little to help redistribute the peel.

Enought navel-gazing and what of the marmalade festival itself? As well as viewing the hundreds, nay thousands of jars of marmalade on display in the house itself, I attended three additional events this year.

The first was food historian Ivan Day’s talk on the history of marmalade and its links with Dalemain. He then proceeded to cook “Lady Westmoreland’s White Pot” a recipe for an enriched bread and butter pudding from a collection within the Dalemain archive. He’s a fascinating man with a laudable devotion to authenticity and an evident passion for his specialist subject. I’ll be checking out his website http://www.historicfood.com/portal.htm for details of food courses next time I feel like treating myself.

The second was celebrity baker Dan Lepard’s breadmaking workshop. One might have expected Dan to talk about baking the perfect loaf of bread to set off a pot of award-winning marmalade, but this session was more of an improvisation on the theme of bread prompted by audience questions. Lots of interesting tips for the serious home-baker with a good deal of previous experience, but I’d defy a novice to be able to bake a simple loaf after this 2 hour session!

My final special event was a marmalade-making workshop run by The Jam Jar Shop team. Our little group of four actually made a batch of marmalade in less tanusing the boiled whole orange method under the watchful eye of our friendly Jam Jar Shop tutor who took this picture:

In case you’re wondering how we managed to prepare a batch of marmalade in less than 2 hours, the whole oranges had been precooked in order for us to be able to complete the marmalade making process in a reasonable timescale.

What did I learn that was new? Well, making marmalade with soft precooked oranges is something I don’t do often. It’s pretty easy to cut up the peel and scrape out the pith using this method but I still prefer to begin with raw fruit as I think ease of cutting is outweighed by a slight loss of flavour.

I learned how to refine my muslin bag-making technique. First, we enclosed all the pith and pips in a big square of muslin and tied the square securely with string to enclose all the contents and stop them escaping. So far so good. Next, we were told not to trim the string but to fold in all the loose raw edges forming the neck of the bag then roll it back down towards the knotted string. Next we wrapped the string around the resulting roll of fabric and tied securely thus enclosing all the raw edges and stopping any loose threads escaping into the pan of marmalade. Finally, the long ends of string were knotted together to form a loop secured to the pan handle for easy retrieval. Very professional looking and a tip I’ll be using again.

This method forms a robust bag that can stand up to the all important squeezing to extract as much pectin as possible so that the marmalade achieves a good set.

The peel was a little irregular as four different people had cut it up each according to their own preference and skill level but the end result of the workshop wasn’t at all bad:

If you fancy giving this marmalade-making method a go next year (or maybe you have some Sevilles stashed away in the freezer), you can download the recipe directly from the Jam Jar shop website by following this link http://www.jamjarshop.com/makingjam/marmalade/index.asp

Altrincham’s answer to Babette’s feast

March 21st, 2012 § Leave a Comment

The newly formed Altrincham Film Club chose the classic 1980′s Danish film “Babette’s Feast” for its March screening. The film is a loving adaptation, in almost BBC costume drama style, of the Karen Blixen novella which describes the effect of the arrival of refugee French chef Babette on the lives of the inhabitants of a remote and puritanical and village on the coast of Jutland. The story culminates in the preparation and serving of a stupendous French dinner which changes the lives of those lucky enough to share it.

The description of the meal and accompanying wines in the book is in fact a little sketchy with only these dishes and wines named specifically:

Turtle soup (Amontillado sherry)

Blinis Demidoff (Champagne Veuve Clicquot 1860)

Cailles en Sarcophage – Quails in coffins (Clos Vougeot 1846)

Grapes, peaches, fresh figs

The film necessarily fleshes out the meal with a salad course of chicory, frisée and walnuts, a plate of delicious cheeses, and its crowning glory, an immense glazed savarin liberally dosed with rum and finished in the Fanny Craddock manner with whole glacé fruits and whipped cream.

The Altrincham Film Club Committee decided they couldn’t let the opportunity of a food film go by without serving some film-themed snacks before and during the screening. Volunteers to bring cheese, pineapple, bruschette and blinis and so on soon came forward. Then my friend Gwyneth, baker extraordinaire (have a look at http://www.vintageafternoonteas.co.uk/ to see what I mean), approached me with the idea of collaborating on producing some sweet nothings to complement the savoury nibbles already on offer.

Thus the idea for the Babette’ Feast “bento box” was born, to contain an individual savarin modelled on the one in the film, a pot of Chantilly cream to accompany it and a final tiny pot containing a macedoine of black and white grapes, a passing reference to the immense platter of fruit served in the film. All this would be presented in a crisp white cardboard box with wooden cutlery, a nod to Scandinavian style and all fully disposable and biodegradable.

Here’s one of the completed mini-savarins sitting in its foil case which is happily durable enough to stand up to all that lovely rum-infused syrup:

The box I photographed below doesn’t look quite as pristine as the ones we actually served as I forgot to take a picture until I brought my own box back home again after the film, so it’s had quite a journey dislodging one or two of the carefully placed fruits!

And of course, we didn’t just have a handful of boxes to prepare but in order to cater for the AFC audience we needed a whole fifty of them which just about filled my dining room table:

The whole bento box production exercise took the best part of three days.

On day 1, a savarin recipe was developed and all the necessary ingredients ordered online. Hardest to track down was proper glacé fruit (not just common or garden glacé cherries but plums, figs, apricots, peaches and so on in the French manner) but a lovely deli in Wellington, Somerset http://www.thecheeseandwineshop.co.uk/came up trumps and was able to despatch a shipment in time. The flour, butter and eggs were all organic, the sugar all unrefined and fairtrade, the rum not Bacardi but finest Angostura from Trinidad and the vanilla the best available from Madagascar. This was going to be a baking project truly in the spirit of “Babette’s Feast”.

The next step was developing the right recipe. I began with Julia Child’s baba/savarin recipe (the two doughs are interchangeable, just the shape being different) from “Mastering the Art of French Cooking”. This produced quite a stiff dough, easy to shape:

but the resulting buns were dense with a tight crumb that become a tad slimy when soaked in the syrup. We needed a wetter, stretchier dough that would bake to open-textured puffy perfection and would soak up and retain the syrup.

Over to baking guru Dan Lepard who gives a rum baba recipe in his recently published “Short and Sweet” book. I haven’t bought the book yet so had to rely on a republished version of the recipe given on the website of the Melbourne newspaper “The Age”. This was much better, a very wet dough that was hard to handle but produced a brilliantly light stretchy dough. I wasn’t happy with certain aspects of the recipe though – there was too much salt and too much yeast in it for my taste.

The third and final recipe is a conflation of the best bits of all the recipes I looked through and is the one we ultimately ran with. I give it in full below. Whilst I love the aroma of good rum, I don’t like too strong a taste of raw alcohol in a cake or dessert. In flavouring the savarins with vanilla, golden caster sugar and lemon zest and their syrup with unrefined sugar, citrus peel, more vanilla and cinnamon I’ve tried to incorporate the rum flavours without adding very much rum at all. Each savarin is anointed with just a teaspoon of rum to point up these flavours. Much less wasteful than pouring half a pint of rum into the syrup and then having to throw lots of it away.

Day 2 was devoted to baking the savarins in three double batches. Fermentation was long and slow so each batch took 5 hours start to finish so although the workload wasn’t huge, this was a lengthy task. The dough started with making a “sponge”. a wet dough used to get fermentation going and add flavour to the finished product:

Once the remaining flour, butter and eggs had been added, the completed dough looked like this as it began its first proving proper:

After proving and knocking-back, the very soft dough has to be poked and coaxed into the dinky mini savarin tins:

I picked up this mini savarin tin in Zurich earlier this year and am delighted to have been able to put it through its paces. Large individual kugelhopf/savarin/bundt moulds are beginning to appear in the UK but I haven’t been able to find a similar mini moulds over here yet.

This is what the risen buns looked like just before baking – they increase in size dramatically creating all those lovely air pockets:

And this is the end result after baking:

And of course, every batch requires quality control to make sure taste and texture are just right. Very pleased with the open texture of the dough here:

And finally, we’re on to day 3, the day of the screening itself and the major task of completing the savarins and assembling the bento boxes. The first job was the preparation of the black and white grape macedoine. Black and white grapes were halved and macerated in a light syrup of Sicilian blood orange juice, freshly grated lemon zest and just a little unrefined sugar. These were then left in the fridge for the flavours to mingle.

It was a great relief when Gywneth arrived mid-morning and immediately and calmly took charge of the rum application, glazing and decoration of the savarins while I syruped and dunked and drained. Six man hours later, we’d produced 50 bento boxes arranged in serried ranks across the dining room table and my generously proportioned fridge was filled with 50 mini cartons of grape macedoine and Chantilly cream.

Final thanks must go to my long-suffering husband Tim who barely raised an eyebrow at this 3 day baking marathon and who patiently transported the boxes to the cinema in the boot of our car, and wasn’t even able to stay and watch the film!

The boxes were handed out to the Altrincham Film Club audience right on cue with no spillages – job done – and we even managed to remember bin bags to clear up afterwards. Job done!

Anyone fancy La Grande Bouffe for April’s screening…?

Recipe for individual rum savarins

Makes 24 savarins. This is the smallest quantity of mixture which it is feasible to make in my Kenwood mixer, so if you just want 12 savarins, halve the quantities and mix by hand with a wooden spoon and dough scraper.

Ingredients

For the savarins

250 ml milk
12g fast action dried yeast
450g strong plain flour – use 150g for the initial sponge and add 300g to complete the dough
4g vanilla powder
25g golden caster sugar
5g salt
150g softened unsalted butter
4 medium eggs
grated zest of a lemon (scant – the flavour of the lemon is quite strong so don’t be too thorough with the grating)

For the syrup

500g demerara sugar
500g granulated white sugar
1.1 litre water
2 vanilla pods
6 strips lemon peel and 6 strips orange peel pared without pith using a vegetable peeler
juice of a lemon

To serve

1 teaspoon dark rum per savarin (I like Angostura)
Apricot glaze
Selection of glacé fruit (optional)
Chantilly cream (I like a mixture of cream and fromage frais for lightness).

Begin by weighing your mixing bowl so that you can accurately divide the completed dough by weight later on in the recipe. Note the weight down. My Kenwood bowl weighs 1,029g for future reference.

The recipe proper begins by making an initial wet dough, the sponge. Put 150g of the flour, the milk and yeast in the bowl of a stand mixer, whisk together by hand using a balloon whisk until thoroughly combined and scrape down the sides of the bowl using a dough scraper. Leave the mixture at room temperature until it starts to bubble up. This might take 45 minutes or so, maybe longer.

While the sponge begins to ferment, break the eggs into a small bowl; mash the butter using a fork to make sure its very soft and malleable; sift together the flour, salt, sugar and vanilla powder and stir into it the grated lemon zest.

Now complete the dough. Add the flour mixture alternately with the eggs to the bowl in three or four batches. Mix the dough after each addition using the dough hook on a low to medium speed. Scrape the sides of the bowl using a plastic scraper frequently while you do this. Once all the flour and eggs are incorporated, turn the speed up to medium and let the dough hook do its work for 2 minutes.

Next, incorporate the softened butter into the mixture. Make sure the butter is really soft before attempting this. Add a spoonful or so of butter to the bowl and mix at a low speed until incorporated. Keep going until all the butter is added, scraping the butter plate clean with your dough scraper to make sure every last bit ends up in the dough and not on your dishes. Turn the speed up to medium and work the dough for 2 minutes. The resultant dough will not resemble bread dough but will be very soft and stretchy like an elastic cake mix. This is absolutely fine, do not under any circumstances be tempted to add more flour.

If, like me, you have only one tray of mini savarin tins, you will need to retard the proving of one half of the dough. Weigh your mixing bowl, subtract the weight of the bowl which you noted down previously and remove half the dough to a separate bowl. Scrape it into a neatish mound, cover with a plate or cling film and refrigerate.

Do the same with your original bowl, but leave this one out at room temperature to prove. Leave it until the dough has begun to swell visibly and if you poke it you can see lots of spongy bubbles in the mix. It won’t necessarily have doubled in size.

While the dough proves, make the syrup. Put all the syrup ingredients into a large saucepan and bring to the boil. Boil the syrup vigorously for 3 minutes then switch off and leave all the flavours to infuse.

One the dough has proved, knock it back by beating it vigorously with a wooden spoon for 10 to 20 seconds. Now for the fiddly bit which is filling the savarin moulds. Make sure your moulds are well greased. I like to use Dr Oetker baking spray to do this quickly and conveniently.

Half fill each individual mould using about a tablespoon of mixture. Using a teaspoon and/or your fingers, gently tease the very soft dough into the mould and around the central metal spindle. Make sure the quantity of dough in each mould is approximately equal. This is very fiddly.

Cove the savarin tins with a big upturned roasting tin or similar and leave to prove a second time until the dough has risen to fill the moulds completely and puff up a bit more. This takes about an hour, maybe less. Make sure you catch the dough on the up rather than leaving it too long in which case it will collapse.

Put the tray of savarins into the centre of an oven preheated to 190 degrees C (fan). Chuck a small coffeecup of water onto the oven base to create steam and shut the door quickly. After exactly 10 minutes, turn the temperature down to 170 degrees C, rotate the tray of buns so they bake evenly, and bake for a further 10 minutes. They should have a good golden brown colour and be just shrinking away from the edges of the tin. Remove from the oven and turn out onto a wire rack to cool.

Once the savarins have cooled to a warm temperature, they are ready for dunking in the syrup. Drop them into the pan of warm syrup and gently push them under. Leave them in the syrup for about 7 minutes to absorb all that lovely sugar, basting frequently. Remove from the syrup bath, invert them and leave them to drain for about 15 minutes on a rack set over a roasting tin to drain. Try and do the dunking with the savarins facing down and the draining with them facing up to ensure even syrup distribution.

This is a long recipe, but we’re nearly there now. All that’s left to do is to drizzle a teaspoon of rum carefully over each savarin, brush with apricot glaze and if you like, decorate with diamonds of glacé fruit. Serve with a dollop of softly whipped Chantilly cream.

THE FULL MONTY: breakfast from Bolivia

March 16th, 2012 § Leave a Comment

The latest in our Breakfasts of the World Project series.

Unusually this time our breakfast comes from a country that one of us (my husband Tim) has actually visited. This was a climbing trip to the Andes hooking up with various members of the Oxford University Mountaineering Club. Three of the team are pictured below, from L to R Simon Beaufoy, Mike,and Doré. Simon has gone on to become well known for his screenplays so I thought it might be fun to try and shoehorn into this post the titles of all Simon’s screenplay titles. I’ll stick them in capitals so you’ll know why this post might sound a little stilted. I hope the guys don’t BURN-UP taking in all that high altitude sunshine and it looks as if Doré at least found time for a BLOW DRY.

Husband Tim, not pictured AMONG GIANTS above, is in this photo, looking rather younger than he is now, a bit of a SLUMDOG MILLIONAIRE with the designer sunglasses and “I’ve not shaved for 127 HOURS” designer stubble.

Here’s one of the team again (maybe Alex whom I’ve not yet mentioned?), not SALMON FISHING IN THE YEMEN but using his RUNNING TIME to stride purposefully towards a herd of a llamas in a high Andean glaciated valley. The objective was the ascent of Ancohuma, at 6,427m Bolivia’s third highest peak located in the Cordillera Real range of the Bolivian Andes.

Tim’s recollections of what they ate for breakfast during the expedition were hardly clear (more 10×10 than 20×20). He muttered vaguely about living dangerously by carrying fresh eggs in his backpack and the joys of homemade chapatis at base camp. So it was over to me to research a traditional Bolivian breakfast. Two dishes took my fancy, the first, Api Morada, something halfway between a drink and a porridge made with purple corn flour:

and the second, Bolivia’s answer to the Cornish pasty, the juicy beef-filled salteña, its YELLOW colour coming from an egg and paprika glaze. Truthfully, the one in the bottom right corner caught in the oven just a tad so its colour might best be described as THE DARKEST LIGHT.

The Api Morada turned out like a Spanish hot chocolate, thick, spiced and velvety with a curious grapey flavour no doubt attributable to the naturally occurring anthocyanins which give the corn its vivid purple colour.

It’s pretty straightforward to make, the only hard part being the sourcing of the purple corn flour. Fortunately, small supplier “Detox Your World” trading on Amazon came up trumps:

The salteñas are more often eaten as a mid-morning snack with coffee rather then being a true breakfast dish but were too good to miss out. The filling in the recipe I’ve chosen is minced beef livened up with peas, spices, raisins, olives and chopped hardboiled egg. The masterstroke is the thickening of the meat juices with a judicious amount of gelatine. This means you can spoon a generous heap of cold set filling into the pastry and end up with plenty of lovely gravy when the pasties are baked – one of the features setting a salteña apart from any other South American empanada is the juices running down your arm as you bite into it.

The other distinctive feature of the salteña is the braided seam (repulgue in Spanish) which looks very much like a Cornish pasty crimp. By rights, this should run across the top of the pasty, but as a beginner, I went for a slightly easier side seam. This was my first attempt at braiding the repulgue achieved following the instructions I found here. It’s trickier than it looks and I’ve a way to go before I can emulate the flying fingers of a Bolivian cook. The seams did the trick though and didn’t burst during baking.

The pastry for this recipe breaks all the rules (keep everything cool, don’t overwork etc) as after rubbing the butter into the flour, the pastry is mixed with practically boiling water straight from the kettle and is then given a thorough knead for 3 minutes or more. The end result is a structural pastry that contains the juicy filling but is nevertheless crisp and delicious. Much better than a true shortcrust would be and I’m going to be using it again for pasties.

A breakfast to ensure that EVERYONE’S HAPPY.

I managed to shoehorn in a whopping twelve of Simon Beaufoy’s screenplays but these three defeated me: “Miss Pettigrew Lives for a Day”, “Yasmin” and “This is Not a Love Song”. Frankly these would challenge anybody and his two listed projects in development “Sharp Teeth” and “Catching Fire” would have been a doddle to incorporate. Must try harder… anyway, here are the all-important recipes:

Recipe for Salteñas

Adapted from a recipe contributed by “happymommyx4″ which I found on Allrecipes.com.

I’ve adjusted the quantity of filling as I found the original recipe gave too much filling for the pastry. I’ve converted all the US measurements into European ones, simplified a couple of steps and have tinkered with the seasoning to up the flavour as my first attempt was a little bland for my taste.

Makes 8 good-sized pasties

Ingredients

For the filling

2 sheets leaf gelatine (approx 3g)
1 tablespoon light olive oil
1 small onion, chopped
250g good quality beef mince
2 medium waxy potatoes, boiled in their skins,cooled,peeled and coarsely grated
150g frozen peas, defrosted
1 tablespoon chopped parsley
2 teaspoons sugar
2 teaspoons paprika
1/2 teaspoon ground cumin
salt and freshly ground black pepper to taste
tabasco to taste (optional)
150ml cold water
3 large hardboiled eggs, shelled and chopped
50g stoned black olives, sliced
50g raisins plumped-up in hot water and left to soak for half an hour, drained

For the pastry

400g plain flour
1 tablespoon caster sugar
1/2 teaspoon salt
110g butter, cubed
150ml hot water (a little more may be necessary to obtain a workable pastry)
beaten egg whisked with a teaspoon each of paprika and salt to seal and glaze

Begin by making the filling.

Set the sheets of gelatine in cold water.

Heat the olive oil in a large frying or sauté pan over medium heat. Add the onion and cook until translucent but not coloured, about 5 minutes. Turn up the heat and add the minced beef and cook for a further 10 minutes reducing the heat if necessary. Spoon off any excess fat.

Stir in the grated potatoes, peas, parsley, sugar, seasoning and water, stir together and simmer for a minute or so. Remove from the heat. Push the filling to one side of the pan leaving a pool of free liquid. Add the soaked gelatine sheets to this liquid and stir until dissolved. Stir everything together and set aside to cool completely. Once cool, mix in the olives, raisins and chopped hard-boiled egg.

Next make the pastry. Combine the flour, sugar and salt in a large bowl and stir well. Rub in the cubed butter with your fingertips until the mixture resembles breadcrumbs. So far, so normal. Now for the unconventional bit. Slowly add the hot water, mixing with a knife. You may need a little more water than the 150ml suggested. On a lightly floured surface knead the pastry for about 3 minutes until smooth. Divide the pastry into eight balls, either by eye or by weight if you want them all to be evenly sized. Cover the pastry balls with cling film and keep them warm while you work with the first pastry ball.

Preheat the oven to 220 degrees C.

On a lightly floured board, roll the pastry ball into a circle approximately 1/8 inch thick. Don’t make the pastry too thin as it will allow the filling to break through while it bakes. Brush egg wash carefully around the rim of the pastry circle. Place approximately 2 tablespoons of the meat filling on one half of the pastry circle and carefully fold over the free half of the pastry and press gently to seal. Crimp the pressed border either by pressing the tines of a fork around the edge or, more authentically, by braiding the edge scallop-fashion to form The Repulgue as it’s known in Spanish.

Place the salteña on a baking sheet lined with parchment.

Continue with the remaining pieces of pastry until you have 8 salteñas. Glaze with the egg wash and bake in an oven preheated to 220 degrees C for 15-20 minutes or until golden brown.

Enjoy warm or cold.

Recipe for Api Morado – purple corn drink

Adapted from a recipe from www.boliviabella.com

Serves 6

Ingredients

100g pack of purple corn flour
720 ml cold water for soaking
additional 1 litre water to complete the drink
6 tablespoons sugar or more to taste
1 stick cinnamon
2 whole cloves
2 strips peel from an orange removed using a vegetable peeler
a little chopped pineapple (fresh or canned) and additional orange zest to serve

Soak the purple corn flour in 720ml cold water for at least 2 hours, or oevrnight if you’re preparing it for breakfast.

While the corn flour soaks, bring the additional litre of water to the boil in a medium saucepan, throw in the cinnamon, cloves and orange peel, remove from the heat, cover and leave to infuse.

When you are ready to complete the drink, add the soaked corn flour and its soaking liquid to the litre of flavoured water along with the sugar and bring to the boil stirring constantly with a wooden spoon. Taste and add more sugar if you like.

To serve, ladle into drinking bowls and top with the chopped pineapple and a little orange zest.

Swiss alpine macaroni (Älpermagronen)

February 23rd, 2012 § Leave a Comment

We spent a very chilly half term skiing in Engelberg in Central Switzerland once again this year. Views from the Titlis cable car were spectacular:

but the temperature was minus 21 degrees C up there. Brrr…

All the more reason to tuck into platefuls of that Central Swiss classic dish, Alpine macaroni (spelt locally as Älpermagronen on restaurant menus), a carb and calorie laden plateful of macaroni, potato, cheese, cream and a big dollop of apple sauce. Yes, that’s right, apple sauce. It sounds weird, but given that plain cheese and apple is a favourite lunchtime snack over here, maybe combining them in their cooked form is not so odd an idea after all. Oh, and it’s a great dish for vegetarians and children seem to like it too so no excuses not to give it a try.

Here’s the Alpine macaroni as served up at Engelberg’s Flühmatt mountain restaurant last week:

The recipe I give below is my take on the authentic Swiss recipe. For a double apple hit try the apple slices poached in cider as well as the apple sauce.

Serves 4

Ingredients

For the pasta

375g peeled, diced potatoes (use a yellow waxy variety such as Charlotte)
pinch of salt
375g dried maccaroni or similar small tubular pasta
250g gruyère cheese, coarsely grated (or other hard Swiss cheese such as Appenzell, Sbrinz or most authentic of all, mountain cheese from the canton of Obwald)
100ml milk
100ml double cream
salt
freshly ground black pepper

For the fried onions

1 tablespoon vegetable oil
20g butter
2 large onions, thinly sliced
1 clove of garlic, chopped

For the apple sauce

2 large cooking apples, peeled, cored and sliced
2-3 tablespoons golden caster sugar (or to taste)
1-2 tablespoons water

For the apple slices (optional)

4 medium eating apples ideally with a reddish skin, about 500g before preparation. Cox or Gala are good.
10g butter
1 cinnamon stick
100ml cider or apple juice
a little sugar to taste

Start by preparing the apple sauce. Put the apple slices, sugar and water in a heavy-based saucepan. Cover and place over a low heat. Stir and mash with a wooden spoon from time to time until the apples “fall” and become a thickish, smoothish sauce. Set aside.

Next, prepare the apple slices if you are going for the double apple hit (and I think you should). Quarter and core the apples, then cut into neat lengthwise slices, leaving the skin on as it looks attractive and helps the apple slices keep their shape.

Melt the butter in a medium heavy-based pan. Add the apple slices and cook for a minute or so over a medium heat, stirring carefully with a wooden spoon. Add the cinnamon stick, cider or apple juice and sugar to taste to the pan, turn down the heat and simmer until the apple is tender. Remove from the heat and set aside.

Now prepare the fried onion garnish. Melt the butter and oil together in a heavy based frying pan. Throw in the onions and garlic and cook over a low to medium heat stirring from time to time until the onion and garlic mixture is golden brown. This will take a little time – maybe 20 minutes; be careful not to let it burn. When ready, remove from the heat and set aside.

Finally, it’s time to prepare the pasta. This is a dish best served fresh and piping hot from the oven so I’m afraid it doesn’t lend itself to being prepped in advance and then baked as you might with any other pasta bake. That’s why you need to get the apple garnishes and onions ready in advance so you’re all set to go.

Preheat your oven to 200 degrees C (180 degrees C fan). Warm a large empty baking dish in the oven. Cook the potato cubes and the pasta in boiling salted water until done. If you are confident about the timings, you can cook the potatoes and pasta together in the same pan as they should both be done in about 10 minutes. If you’re trying this for the first time, it’s probably safer to use 2 separate pans so both pasta and potatoes are cooked to al dente perfection. Drain and immediately layer into the warmed baking dish with the grated cheese, seasoning with black pepper and a little salt as you go. Go easy on the salt as the cheese is already quite salty. Start with a layer of half the pasta and potato mix, then a layer of half the cheese, then a second layer of the pasta and potato and finish with a layer of cheese. Spread the golden brown onions you prepared earlier on top. Pop the dish into the preheated oven to melt the cheese. Finally, quickly heat together the milk and cream in a small saucepan until almost at boiling point. Pour the hot milk and cream over the cheesy pasta and potatoes and return to the oven for 5- 10 minutes until piping hot. While the pasta heats through, gently rewarm the apple sauces and (optional) apple slices.

Serve onto warm plates and eat with a generous dollop of the apple sauce and a spoonful of the apple slices.

Swiss new year

February 11th, 2012 § Leave a Comment

Yikes, we’re well into February, it’s almost the half-term holiday and I still haven’t written-up our New Year meal. It’s high time I put this right. We’ve been doing the new year thing since the big millennium celebration in 2000 and have taken turns hosting along with Neal & Shelley and Mike & Janet.

It fell to us to host this year and it occurred to me that despite my enthusiasm for all things Alpine I’d never yet chosen a Swiss theme. The challenge would be to avoid as many Swiss clichés as possible – cheese, chocolate, cowbells, cuckoo clocks and similar tat, and to keep the dishes relatively light so we’d all make it into 2012 feeling fit and raring to go.

Here’s the menu I came up with. You’ll see I didn’t entirely succeed with no cheese/light cuisine idea as the Malakoffs – deep-fried battered chunks of gruyère sound like the (Scottish?) first cousin of the deep fried Mars bar, but I couldn’t resist:

Canapés

(i) Bundnerfleisch (thin slices of air-dried cured beef)wrapped around celeriac remoulade; and (ii) Malakoffs – deep fried gruyère sticks

First course

Hay soup -light chicken/vegetable cream soup infused with meadow hay

Second course

Individual Luzerner Chugelipastete – puff pastry dome filled with braised veal pieces in cream and saffron sauce

Main course

Venison medallions with preiselbeer sauce, rösti and braised red cabbage

Salad

Lambs’ lettuce (the cutely named Nüsslisalat in German)

Pudding

Walnut and cinnamon parfait with mulled prune sauce and Zimtsternen – cinnamon star biscuits

Cheese

Vacherin Mont d’Or

Menu decided, next step was to set the scene. There’s never time to sort out a table centrepiece when you’re preparing a meal so I called in professional help in the form of Vicky Clements’ magnificent Swiss flag inspired floral arrangement in red and whie, a veritable alp in miniature (see her contact details below if you’re in or around S Manchester/Cheshire):

Vicky was responsible for the fairy-lit hearts too. Sehr gemütlich, Ja?

I dusted down my piping skills to write dinner guests’ names on an experimental batch of moulded biscuits using my newly acquired Swiss Springerle moulds. They were a little involved to make but I was quite pleased with these as my first attempt. My piping is rusty though and it took a few attempts to steady the hands and create something legible:

Air dried beef is usually served as part of a large platter of cured meats and cheeses in Switzerland. We chose to roll the beef around celeriac remoulade which created a light and fresh-tasting canapé packed with flavour. Janet made the celeriac – very simply made by mixing raw grated celeriac into a Greek yoghurt, lemon and parsley dressing – and assembled the canapés and very pretty they looked too. Celeriac makes a fantastic winter salad and we’ve eaten it several times already since then:

The doyennes of cookery and entertaining always tell you not to try out new recipes on your guests don’t they? Well, I think rules like this are meant to be broken, but sometimes minor disasters will ensue. I think it’s fair to say that the malakoffs didn’t work. Tim was banished to the garage to deep fry these battered cheese parcels. I can’t abide the smell of deep-frying fat in the house, so our deep-fat fryer lives very happily in the garage which means that, with the assistance of the barbecue it’s pretty easy to rustle up a mean steak and chips for al fresco consumption in the summer.

I thought we’d followed the malakoff instructions on the Swiss food blog www.fxcuisine.com to the letter. Maybe the batter was too light, maybe the oil was too hot, maybe we cooked them for too long, but when we came to consume the malakoffs, they turned out to be hollow as all the molten cheese had leaked out into the frying oil creating an unholy mess (which I have yet to properly clean up I’m ashamed to say). The fritters looked the part and retained enough of the ghost of a flavour of cheese to allow you to imagine how delicious a correctly cooked malakoff might be. Another time…

We began the meal proper with an unusual hay soup, expertly prepared by Shelley. This is a traditional Swiss soup, different versions of which come from the mountainous cantons of Valais and Graubünden. I’d tasted this in Klosters a couple of winters ago, and it looked so pretty presented on its bed of hay and garnished with dried meadow flowers that I had to put it on our menu.

I couldn’t find a definitive recipe but found several different versions by searching under “Heusuppe Rezept”. Our version used a hay-infused light stock, a flavour base of sweated vegetables and a little pearl barley to thicken. I think I’d like to try out the other versions before publishing a definitive recipe.

Sourcing the hay proved to be harder than I’d thought. I scoured farms in the Lake District and Yorkshire Dales for an elusive handful of local organic meadow hay but without success – all I was offered was silage which I don’t think would make a very pleasant tasting soup. In the end, The Hay Experts (see contact details below) came to my rescue. They really do know their hays (even if the end consumer is usually a pet rabbit) and despatched just what I needed very promptly.

Our next course was a miniature version of the Luzerner Chugelipastete – an exuberant puff pastry dome filled with braised veal and veal sausagemeat in a creamy saffron flavoured sauce. In order to cut down on the pastry, I made pastry lids to cover the braised veal which was served in individual ramekins.
I posted last year on the subject of this dish:
http://rhubarbfool.co.uk/2011/03/03/lunch-in-lucerne/

I used a couple of cheat steps when I made the miniature version of the dish. Short of time, I used Dorset all-butter puff pastry – reliably good if you don’t have time to make your own. Instead of veal forcemeat balls made from scratch I used a pack of veal meatballs from Waitrose. These are made from ethically sourced British rosé veal and are delicious and versatile. Actually, I didn’t follow the Marian Kaltenbach recipe for the sauce which I’ve quoted before at all. I flash fried strips of veal tenderloin, combined them with the cooked veal meatballs, added a little stock and cream, reduced the whole lot down to make a sauce and added grapes macerated in a Swiss grappa type schnapps to finish. I was reasonably happy with the end result:

We were now well set up for the main event, a fabulous-looking venison tenderloin supplied from The Blackface Meat Company who are based up near Dumfries in Scotland. I’ve used them a couple of times before for game and rare breed meat. They may be a little expensive but they supply top quality meat, expertly butchered and delivered promptly and efficiently to your door.

I did try and obtain some local venison from Dunham Massey. Each year, the deer are culled and just a few of the younger deer are butchered and sold to the public via a local farm shop. Unfortunately because of problems with poaching this year I didn’t know if my tenderloin was going to turn up on time. When finally I did get the call that the venison was available, I was a little disappointed with what the butcher had done as this tenderloin was nowhere near as expertly trimmed as the Blackhouse meat. So Dunham’s answer to Bambi is in the freezer ready for a future Sunday lunch.

The Blackhouse website lists useful recipes and I followed chef Mark Hix’s instructions for marinading the venison in red wine before flash-frying and serving with a red wine reduction. Not an authentic Swiss recipe but very Swiss in character as you’ll find lots of robust game dishes cooked with red wine in restaurants during the autumn and winter hunting season.

The venison was expertly cooked by Janet and was served with everyone’s favourite Swiss dish, potato rösti,braised red cabbage and a spoonful of Preiselbeer sauce. The Preiselbeer is a smaller, tastier European relative of the more familiar North American cranberry. It’s also known as the lingonberry in Swedish and here in England it’s known as the cowberry but is not a popular forager’s fruit as yet.

Sorry my pictures of the finished dish are too dark to be meaningful, but here are photos of the meat bathing in its marinade, the same meat cooked and carved, and a jar of the Preiselbeer sauce brought back from a little shop in Klosters:

Avoiding the temptations of triple Toblerone chocolate mousse and the like, I chose a simple walnut and honey parfait for pudding served with prunes cooked in red wine and spices to give a delicious festive mulled-wine flavour. Alongside the parfait and prunes I served a traditional Swiss/German advent biscuit, the Zimtstern – a cinnamon flavoured dough made like a macaroon from ground nuts, sugar and whisked egg whites, topped with a crisp meringue icing. These are nutty, chewy and delicious and a tad difficult to make. I’ve not given the recipe in this post as frankly it’s too long already, and they merit a post all of their own.

To conclude the meal as we approached midnight, a superb Vacherin Mont d’Or cheese from the Jura region of Switzerland, one of my favourite cheeses. It’s soft and creamy and can be spooned out of its wooden box when properly mature and ready to eat. It’s only available during the winter months. Ours came from the Duty Free shop at Zürich airport, but you can find it over here sometimes either in a specialist cheese shop or occasionally in Waitrose. If you find one, grab it, you won’t regret it.

I couldn’t possibly list all the evening’s recipes in a single post – in fact to help with the preparations, I photocopied and printed them all out and have enough material for a small cookery book!

I’m just going to give two recipes, both straightforward and both now in my regular repertoire.

Recipe for celeriac remoulade

My lighter, fresher version of this bistro classic, replacing the usual mayo with Greek yoghurt.

Serves 4 or more as part of a selection of salads

Ingredients

1 small or half a medium celeriac grated in a food processor
juice of half a lemon
sea salt and freshly ground black pepper
2 tablespoons thick Greek yoghurt
2 tablespoons half fat crème fraîche
2 teaspoons Dijon mustard
1 tablespoon chopped flatleaf parsley

Grate the celeriac quite finely (easiest to do this in a food processor) and in a medium bowl mix thoroughly with the lemon juice to stop the celeriac turning brown. You can prepare the celeriac to this stage then refrigerate it several hours ahead of time and it will still be fine. When you’re ready to serve, add the other ingredients to the bowl and stir to combine.

Recipe for walnut parfaits with mulled prunes

Translated from the German and adapted from a little Swiss cookbook called “Geliebte Schweizer Küche”.

Serves 6

Ingredients

For the mulled prunes

1 bottle fruity red wine
200g prunes
2 cinnamon sticks
1 vanilla pod
2 cloves
1 large piece of peel from an unwaxed orange

For the parfait

2 eggs
2 dessertspoons runny honey
1 pinch powdered cinnamon
1 dessertspoon Grand Marnier
180ml whipping cream
50g walnuts, coarsely chopped

Begin by making the mulled prunes the day before you plan to serve the dish. Put all the ingredients into a saucepan, bring to the boil then leave to cool and infuse overnight.

Next make the parfait. You can make this a couple of days ahead of time as it’s frozen. Mix the eggs, honey, powdered cinnamon and Grand Marnier together in a bowl. Using an electric whisk, beat together until the mixture is light and foamy. In a separate bowl, whisk the cream to the soft peak stage and combine with the egg mixture and chopped walnuts. Divide the mixture between 6 or more small moulds (china teacups or ramekins are fine) and freeze for at least four hours.

When you are ready to serve, dip the moulds briefly into hot water, loosen with a knife if necessary and invert onto individual serving plates. Spoon the prunes and red wine sauce around and serve.

Contact details

Vicky Clements – “Inside Out” flowers and gardening, Bowdon, Cheshire
Mobile 07762 387 372

The Hay Experts – suppliers of organic and other hays
http://www.thehayexperts.co.uk/

The Blackface Meat Company – suppliers of rare breed meat and game
http://www.blackface.co.uk/

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